Luggage

This was the cover image for Tyler Willson's story, "Castaways."

I wanted something vivid, but simple, and opted for a rough sketch in pastels, on black construction paper. As noted in previous posts, such sketches don't scan well, or even photograph well. What the eye sees doesn't correspond with the camera's lens.

I scanned the pic, then used Photoshop to super-saturate the colors. The I used "adjustments" to enhance the blacks. Luminous!

The red is for balance and deception. In Part Two of the story the following week, I left this image for Tyler as a treat:

A White Sketch

This morning, I was thumbing through a National Geographic and saw an ad that had a picture of a polar bear.

The Bogus unbleached drawing pad seemed to lend itself to attempting a sketch (it always does, but it also almost always disappoints me -- not enough "tooth" or roughness) so off I went with a very limited palette: white, cobalt blue, light gray, dark turquoise, cool dark brown, and a touch of black.

I started out with pastel pencils, which are fairly hard, and then shifted to soft pastels for the blue. For the first time, I used a foam make-up wedge to smooth the colors of the background... and hated the result.

Switching back to the pencils, I intensified the color of the foreground and background with crosshatching and no smoothing, and I liked the result much better. Hours later, i can see where I could have added a touch more blue on the bear's fur. 

And this is the other day's work, with a little bit of mistiness added.

The above mentioned foam makeup triangles did well for adding a touch of mist.

So many of these sketches are less than stellar, but I'm having a good time playing with them.